The Weeping Woman by Pablo Picasso (1937) (Analysis)

Pablo Picasso always amazed people by his unique manner of drawing pictures. Many of his canvases consistently became masterpieces. Well, of course, there were some more extravagant painters such as, for example, Salvador Dali but Picasso always had his own kind of vision of the world. The painting “Weeping Woman” is a very vivid example of it.

weeping woman pablo picasso
             Weeping Woman by Pablo Picasso

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Despite the bright colors used by the artist, the painting is extremely sad. It’s very interesting how he managed to empathize the woman and use such colors at the same time. Anyone looking at the weeping woman by Pablo Picasso feels and understands the indescribable grief that can be seen in her eyes.

After the very first look at the picture, you immediately start to contemplate about what happened to her. This great pain and suffering make us unwittingly sympathize with her. Maybe she lost a loved one, and her heart is torn apart. It’s well known that Picasso had a great ability to convey emotions.

The Main Idea Of The Painting By Picasso

It has always been extremely difficult to be able to understand the main idea of the work of art, but we must admit, that it becomes even harder when we are we’re dealing with the paintings of Pablo Picasso. That’s why we can only guess what was the true reason of such a deep sorrow and unhappy facial expression of this woman. In this particular painting, the whole face of the woman is extremely distorted by despair.

It’s not possible to recognize it. Many women claimed that they posed the talented artist but it could not be proved. But how could one verify whether it was the truth or a lie? The author didn’t leave a single opportunity to do it. He veiled the woman’s image beyond recognition.

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It’s commonly supposed that the painting depicts Dora Maar – a professional photographer, the daughter of a Croatian architect with whom the artist was in a close relationship for nine years from 1936 to 1945. Dora was taking pictures of the crippled, the blind, the homeless, combining the beauty and ugliness, luxury and poverty into the mysterious and spooky surrealism. Dora’s art was bold and avant-garde. Critics called her style “tragic Baroque” and “aesthetic disaster”.

Pablo Picasso & Dora Maar
                     Pablo Picasso & Dora Maar

Maar became some sort of the intellectual distraction for Picasso, who at the moment of acquaintance with her experienced a creative crisis. It was she who pushed him to the avant-garde movement and political themes. Maar taught Picasso photography and took up painting under his influence. Together they were producing kind of “photoengravings” on the glass with the help of which, as if from huge negatives, were making prints on photo paper. Dora was the main model of Picasso during all 9 years. (Check out his bio here)

Dora Maar (Picasso's lover)
                                                       Dora Maar

The Analysis Of The Picasso’s Weeping Woman

In the canvas “The Weeping Woman” the author slightly opened the bright mask, literally cut the face of the beloved into pieces, revealing the pale insides of the true grief, showing the real emotions of the woman. He depicts this sad truth with gray, pale colors. The mouth is distorted by suffering. The clenched teeth convulsively tear the crumpled handkerchief, which she presses to her face.

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The woman tries to hold back her tears as hard as she can but they are rolling down her cheeks without asking the permission. The hands are also seen in the painting. Weeping, we almost always press the face with hands, wipe the tears. The hands that constantly reach for the face were extremely authentically depicted by the master. Her eyes are like two buttons sewn crosswise – dead plastic crosses instead of pupils negate life in the weeping look.

“The Weeping Woman” by Pablo Picasso is a collective image of all grieving women who lost in the war their husbands and sons. Tears of fear and despair, seeing the appeared ghost of death, seize the humanity on the threshold of a global catastrophe of the Second World War. In this painting, Picasso by showing the fate of one man, shows the same destructive power of the demon of death, flying over people, splitting people apart and turning them into ghosts.

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